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Beija-Flor de Nilópolis

''Monstro é aquele que não sabe amar''

Monstro é aquele que não sabe amar – os filhos abandonados da pátria que os pariu (A monster is someone who can't love - the abandoned sons of a country who gave birth)

Authors: Di Menor BF, Kiraizinho, Diego Oliveira, Bakaninha Beija-Flor, JJ Santos, Julio Assis and Diogo Rosa
Singer: Neguinho da Beija-Flor

Samba Lyricsa

SOU EU… 
ESPELHO DA LENDÁRIA CRIATURA 
UM MOSTRO… 
CARENTE DE AMOR E DE TERNURA 
O ALVO NA MIRA DO DESPREZO E DA SEGREGAÇÃO 
DO PAI QUE RENEGOU A CRIAÇÃO 
REFÉM DA INTOLERÂNCIA DESSA GENTE 
RETALHOS DO MEU PRÓPRIO CRIADOR 
JULGADO PELA FORÇA DA AMBIÇÃO 
SIGO CARREGANDO A MINHA CRUZ 
A PROCURA DE UMA LUZ, A SALVAÇÃO!

ESTENDA A MÃO MEU SENHOR 
POIS NÃO ENTENDO TUA FÉ 
SE OFERECES COM AMOR 
ME ALIMENTO DE AXÉ 
ME CHAMAS TANTO DE IRMÃO 
E ME ABANDONAS AO LÉU 
TROCA UM PEDAÇO DE PÃO 
POR UM PEDAÇO DE CÉU

GANÂNCIA VESTE TERNO E GRAVATA 
ONDE A ESPERANÇA SUCUMBIU 
VEJO A LIBERDADE APRISIONADA 
TEU LIVRO EU NÃO SEI LER, BRASIL! 
MAS O SAMBA FAZ ESSA DOR DENTRO DO PEITO IR EMBORA 
FEITO UM ARRASTÃO DE ALEGRIA E EMOÇÃO O PRANTO ROLA 
MEU CANTO É RESISTÊNCIA 
NO ECOAR DE UM TAMBOR 
VÊM VER BRILHAR 
MAIS UM MENINO QUE VOCÊ ABANDONOU

OH PÁTRIA AMADA, POR ONDE ANDARÁS? 
SEUS FILHOS JÁ NÃO AGUENTAM MAIS! 
VOCÊ QUE NÃO SOUBE CUIDAR 
VOCÊ QUE NEGOU O AMOR 
VEM APRENDER NA BEIJA-FLOR 

2018 Parade




2018 Themed Samba

  • Carnival Commission: Laíla, Cid Carvalho, Victor Santos, Bianca Behrends, Léo Mídia and Rodrigo Pacheco
  • Carnival Director: Laíla
  • Harmony Director: Laíla
  • Singer: Neguinho da Beija-Flor
  • Drums Director: Plinio and Rodney
  • Drummers' Queen: Mônika Nascimento
  • Escort: Claudinho
  • Flag-Bearer: Selminha Sorriso
  • Vanguard Commission: Marcelo Misailidis
  • 2018 Parade
  • Monday, February 12th.
  • Parading Position: Sixth School

''Monstro é aquele que não sabe amar''

Abstract
The fiction of Dr. Frankenstein's monster puts us face to face with our ability to repudiate what is strange and different, to deny love to what we do not understand. The strange creature, abandoned, alone, misunderstood, and given her own luck, became a fallen angel, revolted by the lack of love. But who is the real monster in this story? The disgusting-looking creature, or the creator, with his selfishness, his pride, his arrogance, and his corrupt heart?

This work will be 200 years old, but it has much to tell us about the various ills that currently erode the moral and spiritual integrity of a society where inequality is nourished by neglect, forming a generation dominated by chaos, victimized by abandonment and living at the mercy of beastly human beings who despise everything and everyone who seems to them inadequate and out of set standards. We are part of a sickly system, the creator of creatures who speak different languages ??and apparently indecipherable to the rulers, and who wander misunderstood and forgotten by the alleys, streets and alleys of this stone jungle that once was paradise.
Is there salvation? Will there be light at the end of the tunnel? Or will we carry this cross forever?

It is up to the sambistas, historically marginalized and excluded, always looked with strangeness and prejudices, persecuted by the color of our skins, by the color of our clothes, by our ancestral faith and by our drums, the alert, the resistance and the protest. The time has come to put together the fragments of our conscience that we leave in the dusty chest of our self-indulgence and sew the fantasies of the abandoned and the excluded. In this popular procession, the real monsters of our society will march without masks to be recognized and spotted on Ashes' Wednesday! Let the streets again be the great board of the plurality of our people, where the pieces will dance to the sound of a democratic batucada. May our "king" who is Momo, who represents the fun,of the people, join royalty and "pedestrians", overturn the "tower" of intolerance and checkmate the sadness. And so, the School of samba and the community, sewn there by the love of our culture, will become one body again and the samba will triumph more alive than ever; because samba is the most democratic stage of our popular culture and unites brothers from all corners and flags, celebrating differences and celebrating peace under a blue and white sky. But if you still discriminate against us and do not understand our way of being happy, do not get us wrong, the monster is you!

Let go of our carnival, after all, monster is one who does not know how to love!

  • 1954 Group 2 - Champion
  • 1976 Group 1 - Champion
  • 1977 Group 1 - Champion
  • 1978 Group 1 - Champion

Data

  • Foundation: December 25th, 1988
  • Colors: Blue and White
  • President: Ricardo Abrahão David
  • Honorary: Aniz Abrahão David
  • Samba Hall: Rua Pracinha Wallace Paes Leme, 1025 - Nilópolis - RJ
  • Rehearsals:-
  • Barracks: Cidade do Samba (Barracão nº 11) - Rua Rivadávia Correa, nº 60 – Gamboa - RJ
  • Phone: +55 21 2791-2886
  • Website: imprensa@beija-flor.com.br
  • Press: -

Beija-Flor's history

The Beija-Flor de Nilópolis was born in the Christmas celebrations of 1948. A group formed by Milton de Oliveira (Negão da Cuíca), Edson Vieira Rodrigues (Edinho do Ferro Velho), Helles Ferreira da Silva, Mário Silva, Walter da Silva, Hamilton Floriano and José Fernandes da Silva, decided to form a block that, after several discussions, at the suggestion of D. Eulália de Oliveira, Milton's mother, was named Beija-Flor (inspired by the Beija-Flor Ranch, which existed in the Marquis of Valencia). Dona Eulália was admitted as founder.
In 1953, the Block Association Carnival Beija-Flor, victorious in the neighborhood, was enrolled by Silvestre David do Santos (Cabana) member of the composers' wing, as a samba school, in the Confederation of Samba Schools, for the official parade of 1954, in the 2nd group.
In his first parade in 1954, he was promoted to Group I, where he remained until 1963. After a period of ups and downs in 1974, he returned to Group I, a result of the good work done by Nelson Abraão David. In 1977, Aniz Abrahão David takes over the presidency and designs the Nilópolis Samba School as one of the most famous in the world

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